1.0Quarteto Euterpehttps://quartetoeuterpe.com/en/Pedro Ferreirahttps://quartetoeuterpe.com/en/author/pedro-ferreira/rich600338<blockquote class="wp-embedded-content" data-secret="WA4M9n9cOJ"><a href="https://quartetoeuterpe.com/en/the-quartet/">The Quartet</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://quartetoeuterpe.com/en/the-quartet/embed/#?secret=WA4M9n9cOJ" width="600" height="338" title="“The Quartet” — Quarteto Euterpe" data-secret="WA4M9n9cOJ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://quartetoeuterpe.com/wp-content/uploads/2022/10/1P6A9790.jpg19201398Scroll The Quartet Quarteto Euterpe has been active since 2020, building a profile defined by versatility and an openness to widely different contexts, repertoires and performance formats. The quartet performs in major concert halls and cultural centres as readily as in architectural heritage sites and communities with limited access to culture, without hierarchising contexts or […]